The Do This, Get That Guide On Essay Topics for Dracula

The Do This, Get That Guide On Essay Topics for Dracula There's no need to be worried about any sort of infringements. The number one rule for virtually any formatting guideline is to at all times be consistent. In the speaking section, you have to be confident of what you speak. The name comes from a Chivalric order known as the Order of the Dragon. The War Against Essay Topics for Dracula The sole difference is that different architects utilize various styles in telling their stories. Sometimes writers are requested to adhere to a definite number of words. Because of certain aspects in the writers life and due to certain symbolism a lot of sexual meaning was given to each part of the book. The novel functions as a bridge linking the author and the large quantities of folks who read the novel. It is essential to read the book with Dracula among its characters. At this time you're prepared to fight vampires! Pick the most critical conflict in the novel Dracula, analyze this, and explain your selection. Put simply, the politician who would like a vote, or the fake news websites that just need a click. Your photo and comments will show up on the web. Writing sections, it's very critical for you in case you write your own words. Most professors do not need a title page, so it's unnecessary unless they specify otherwise. Symbolism Also part of the book are the sexual symbols. This understanding is extremely near the very nature of the book, but still contains subjective opinions. It doesn't mean that you are able to copy the ideas. Moreover, writing composition is just putting the relevant sentences with each other to exhibit one's understanding together with perception about a topic. So far as essay structure goes, a 4 or 5 paragraph essay based on the number of points you are going to want to argue is a great start. Last words of advice are to seek advice from your teacher after deciding the subject of analogy essays since they might would like you to write on something else or claim you haven't crafted the proper topic etc.. The very first part, where the examiner takes your interview, is quite a light personal conversation. Use specific textual evidence to compose an essay relating to this contrast. Always remember to talk to your instructor if you're writing a paper for a class. As soon as you buy the printed book, you have the ability to pass information with that book to others. In addition, it needs to be relevant to the writer. You can get the ability to write and do anything you need to a printed book so long as it belongs to you. The Essay Topics for Dracula Cover Up The world's most famed vampire has been undead for more than a century. The story is written by hand in ink and a number of the story couldn't be read because it was damaged by water. The character Dracula is one of the most well-known characters. God is believed to have told Judas that he'd fear sunlight and the light of day and that he'd roam the evening. The End of Essay Topics for Dracula When you start focusing on more positive things you commence attracting positive conditions. Thus, the focus won't be Leadsom's possible homophobia, it'll be her argument that parents ought to have a right to make a decision as to what lessons their children are being taught, or any time they're exposed' to certain info. My desire to be a citizen of earth and an advocate for my very own ancestral home evolved throughout recent years. Scholarly help is a somewhat tricky market where deception can be found all around the place. Essay Topics for Dracula Secrets That No One Else Knows About So many folks think IELTS Exam is valid only in the united kingdom or Aus tralia and, for instance, it's not valid in the united states, New Zealand, etc.. The IB Diploma utilises external examinations with many different question formats as its principal mode of assessment, along with internal assessments. Courses are offered at both a normal level and a high degree, with the greater level becoming more advanced (240 teaching hours in comparison to the typical level's 150). Students seeking admission will often sit for three or more A-levels. The IGCSE is provided in many nations, including some global schools in the united kingdom. Students who opt for the A-level route is going to take a minimum of three A-level subjects, but might elect to have a fourth based on their academic strengths and their post-secondary objectives. There's no lack of education possibilities accessible to expat children. If you find yourself with a high score in IELTS, then there are many doors open for you in case you need to study in Canada, Australia or some other country.

The Bridge Between The Middle Ages And The Renaissance Era...

History is a vast ocean of time and regions, yet some are seen as more influential than others.The Renaissance can be described as an era in which science and culture mixed, therefore creating waves of innovation that rippled throughout the entire planet. In the 14th century, Rome had long fallen, and centuries of Christianity had taken Europe. Crusades were led across vast regions, as well traders traveling to the east and discovering new goods to sell and trade.This began exploration into other cultures, particularly past ideologies. Early Rome and ancient Greece were studied and the studies of Pluto were rediscovered. This new interest was accelerated by The Great Papal Schism of 1378 in which three men decreed themselves the Pope at the same time. During this period of religious uncertainty a movement of â€Å"Humanism† was rediscovered. People had the desire to study forgotten texts, and learn the ideas of the past. The bridge between the Middle Ages and The Renaissance e ra were beginning to be built. This time period of rediscovery is known as the â€Å"Proto-Renaissance† and lasted between 1200-1400. Where it all began, the influence of humanism, and the artists that attributed will be the subject of this essay. During the period of Proto-Renaissance the entirety of Europe established different developments in each of it’s regions, yet Florence and Sienna experienced copious amounts of innovation. Artists and Scholars searched, studied and emulated the teachings of theShow MoreRelatedThe Renaissance : A Rebirth Of The Ideas Of Ancient Greece923 Words   |  4 PagesThe Renaissance was a rebirth of the ideas of ancient Greece and Rome that began in the City States of Italy during the 14th century. The cultural resurgence began a new style of living in Europe after the horrors of the black death, and is seen as the beginning of the culture of the modern world. As Wassace K. Ferguson put in his book The Renaissance, the Italian artists grew tired of the darkness of Medieval Times and began to turn to the brighter times found in the classical ages (Doc 7). TheRead MoreComparing Art And The Baroque Eras989 Words   |  4 PagesComparing Art of the Renaissance and the Baroque Eras The Renaissance and the Baroque eras created some of the most famous works of art produced in the world. The two eras expressed differences in style and theme, but they also have many characteristics in common. To better understand the similarities of the eras it will be described by the characteristics, styles and the influences of each; Renaissance and Baroque works of art. Famous artist from the Renaissance era were Leonard da Vinci and MichelangeloRead More Middle Ages Essay712 Words   |  3 PagesMiddle Ages The history of the modern world derives from thousands of years of human history. 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ActingRead MoreCompare And Contrast Different Literature Periods1452 Words   |  6 Pageswill demonstrate the relation between the literature and social events, and how authors affected and contributed to form those periods, also I will try to compare two different literature periods. The Renaissance (rebirth period) The Renaissance is an era started in Italy and it came to England in the sixteenth century that made an end to the dark ages whose knew before it. This period became the bridge who access between the middle ages and the modern history. Renaissance is a French word means rebirthRead MoreA Short Note On The Arch Of Constantine887 Words   |  4 PagesEmpire. His legacy is known for his bold changes and accomplishments in uniting the empire making it become more powerful once again and his outlawing of paganism, and curbing Christians from persecutions. The Arch of Constantine was erected between 312 and 315 AD., in Rome adjacent to the Coliseum to commemorate Constantine’s triumph over Maxentius in a victory that united the empire and insured its transition into the Eastern Roman Empire known as the Byzantine Empire, with its capital ConstantinopleRead MoreIf Rome Never Fell2888 Words   |  12 PagesBC. The republic consisted of citizens voting on representatives called senators, much like America today; However, to be elected one was traditionally a noble. After struggles for equality within the government, Rome pulled together and began its age of great expansion. Rome began taking control of the entire Mediterranean region, and Europe and could not stop its conquest. In its prime the Roman empire stretched as far west as Portugal to Persia in the east, and as far north as Britain to North

Miseries of the African Communities in a Post-Independent Socio-Political State free essay sample

Miseries of the African Communities in a post-independent socio-political state The African communities, over different time and space, were not able to cope up with the Europeanised socio-political norms and laws, after gaining their independence from their ‘white’ rulers. The European colonisers had successfully converted the African ‘barbaric tribes’ into so-called ‘civilised communities’ by enforcing their ‘superior’ culture, religion, language and aesthetics with the help of the gunpowder; yet they could not erase from the minds of the several million slaves the idea of their own roots which they had left behind in the ‘black continent’ ever since the beginning of the policy of colonisation and the establishment of socio-political and economic hierarchy and supremacy by the Europeans. The African communities after gaining freedom from their ‘white’ rulers were however unable to manage the state of beings, leading to widespread misery, desperation, melancholy and desolation in their own community. They, as a matter of fact, had inherited not only a so-called ‘civilised’ religion, language, dress code or food habits from their European masters but also imitated the Europeans in their exercise of ‘political power’, ‘corruption’ and ‘oppression’, after gaining liberation from the ‘whites’. Let us take into consideration four novels, all written in the twentieth century in European languages, which clearly throws some light on the miseries faced by the common people of the African communities and the desperation that they stand in front of. The Kingdom of This World  (El reino de este mundo), a novel by  the Cuban  author  Alejo Carpentier, published in 1949 in Spanish, is a work of  historical fiction which conveys the story of  Haiti  before, during, and after the  Haitian Revolution  against the French colonisers, as witnessed by its protagonist, Ti Noel. Ahmadou Kourouma’s first novel The Suns of Independence (Les soleils des independances),  published in 1970 in French, posted a criticism to the post-colonial governments in Africa and provided a determination to protest against the betrayal of legitimate African aspirations at the dawn of independence in Cote d’Ivoire. Toni Morrison’s Jazz and Richard Wright’s Native Son, both published in English and both of which are set in two of  the major African-American infested areas of the United States of America, the neighbourhood of Harlem in New York City and Chicago’s south-side ghetto respectively, in the twenties and the thirties of the earlier century, are both projections of the miseries and the humiliations faced by the African-American community in the United States of America, even after the banishment of slavery. Alejo Carpentier’s The Kingdom of This World  takes place prior to, during, and after the Haitian Revolution which led to the pronouncement of Haitian independence in 1804. This revolution was a turning point in global history as unlike the American Revolution, the Haitian Revolution witnessed the rise of a ‘black’ ruler of African origin replacing the French colonisers which was unthinkable and therefore challenged the prejudices of its time. Embedded with  magic realism, the novel through the perspective of its central character, Ti Noel, describes the oppressions conducted by the French colonisers and the plantation owners over the African slaves; the mythical beliefs and the importance of voodoo in the African culture through the character Mackandal; the vulgarity and the crudity of the rebellion of the slaves against the colonisers; and the oppression of the African community as faced during the rule of Henri Christophe, the first black ruler of Haiti. Ti Noel after buying his passage from a plantation owner based in Santiago, comes back to discover a free Haiti. Now much older, he realizes that he has returned to the former plantation of Lenormand de Mezy for whom he used to slave. Though Haiti has been freed from the colonisers and is being ruled by a ‘black’ man, he is unexpectedly thrown into prison and once again made to work as a slave among children, pregnant girls, women, and old men. Henri Christophe, formerly a cook and now the king of Haiti, after the uprising against the colonisers, is using the slaves to construct lavish statues, figures, and a magnificent fortress. According to Ti Noel, slavery under Henri Christophe was worse than that endured at the hands of Lenormand de Mezy. He escapes and returns to the former plantation of his old European master, where he stays up for some time, and later returns to the city to find it completely wrapped up by the fear of Henri Christophes regime. The oppression faced by the African community during the rule of Henri Christophe, as projected by Carpientier, surpasses that which has been portrayed to describe the domination of the French colonisers and the plantation owners. Carpientier has clearly shown that though the revolution had brought about the advent of a ‘black’ ruler, it had changed nothing for the common masses of the African community. With the new government being equally oppressive and corrupt, it only brought about much more misery, ignominy and desolation for the common people of the African community. Determined to speak out against the oppressive nature of the post-colonial African nations, Ahmadou Kourouma writes an experimental fiction, his first  novel,  The Suns of Independence, while still  in exile. The central character of the novel, Fama, the last chief of the once-powerful Dumbuya tribe that ruled over Horodugu, an area that has now been divided between two newly independent African states, the Ebony Coast and the Socialist Republic of Nikinai, is a Malinke who inherits the position of the leader of this once great territory. But according to Kourouma, â€Å"In a world turned upside-down, Fama had inherited an honour without the means to uphold it, like a headless snake. † (Kourouma). He has been transformed into a poor city dweller and is far removed from his home-town, and is quite unable to find his own place in this complex new world. The other members of his society still show respect for who he is, and yet he is quite naturally a part of a world that has largely been lost. Fama is married, but he and his wife, Salimata, have not been able to have a child and he is aware of the fact that his lineage will die out with him. The beautiful but increasingly desperate Salimata also has a tragic history, as her initiation into womanhood (a brutal ritual) was botched, and she then taken advantage of. She is now obsessed with becoming pregnant and always tries to do good, being generous and devout, but goodness here is rarely rewarded. She certainly suffers for it. The disinherited heir of Dumbuya royalty, Fama ekes out a living using his status to beg at ceremonies, and through the efforts of his wife Salimata. Arriving in Binja, where Salimata is from, he, according to the author, â€Å"was prepared to unsheath his tongue and lash out with a cut-and-thrust denunciation of the bastard politicians and suns of Independence. But they cut him short. The republics single party forbade villagers to listen to anything people arriving from the capital city might say about politics. † (Kourouma). He does not fit well in this changed world and his personality clashes with the post-independence expectations. People still make allowances for him for what he stands for, but it is clear that he is a relic from an archaic period. When his cousin dies, he returns to his native village to reclaim what is left of his inheritance, which he succeeds in doing with the help of a praise-singer and a fetish-priest. He arrives in his native Togobala, a place of â€Å"seething passivity† and the people are worn out by the turmoil of the post-independence adjustments. Traditions are upheld and the burial ceremony of his cousin, the previous chief of the Dumbuya, is celebrated as elaborately as possible, nearly as in the old days. But the world that existed in the post-colonial period is not the same. According to the author, â€Å"Truly the suns of Independence are unsuited to great things; they have not only unmanned, but also unmagicked Africa. †(Kourouma). When he returns to the capital with one of his new wives, however, he unwisely becomes involved in politics and is imprisoned and later is freed and it all remains incomprehensible to him. He tries to focus only on his duty, on what he knows must be done, but he largely fails here too. Finally he tries to swim across the river in order to go to his homeland but instead is killed by a crocodile. Kourouma projects the miseries of an individual, a Dumbuya chief who is stripped of his royalty, and who loses all his importance in a period of post-colonial Africa. His presentation is not taut, as threads are picked up and lost, but as both Fama and Salimata are lost souls this mild disorientation works well and he tells a variety of tales and describes the conditions of the people belonging to the ‘new’ order of the world in a post-colonial state of mind. Toni Morrison’s novel, Jazz, is a projection of the lifestyle lead by the African community in the neighbourhood of Harlem in New York City. This novel is set up in the twenties of the earlier century, when the United States had already been freed from the curse of slavery; where the common ‘black’ man is still oppressed socially, economically and even politically; where a member of the African- American society still has to suffer for his skin-colour and creed; where he is still searching for a way-out to establish his own national identity. Jazz  begins with a recap of Dorcass murder and Violets attack on her corpse. The couple, Violet and Joe Trace, that kills and then defaces the young girl seem immediately to be evil and immoral characters but surprisingly Morrison goes on to flesh them out and to explain, in part, that their violent acts stem from suppressed anguish and disrupted childhoods. Morrison traces the violence of the urban characters back to Virginia, where generations of enslavement and poverty tore families apart. Subtly, Morrison suggests that the black on black violence of the City carries over from the physical and psychic violence committed against the race as a whole. She interweaves allusions to racial violence into her story with a neutral tone that lets the historical facts speak for themselves. Further, her descriptions of scenes are often filled with violence, as she discusses buildings which are cut but a razor like line of sunlight. Even her narrative is violently constructed with stories wrenched apart, fragmented, and retold in a way that mirrors the splintered identities of the novels principal characters. The novel borrows its title from Jazz music and the idea of music is discussed throughout the novel. Alice Manfred, an elderly woman who happened to be Dorcas’ aunt, and the Miller sisters, Dorcas’ baby sitter, interprets jazz music as the anthem of hell. The passion and pleasure that Dorcas and Violet find in the music is contrasted with the musical treatment of Joe’s crime. When he stalks and shoots Dorcas, it is at a party where loud music is being played to incite passion, â€Å"boil† the blood and â€Å"encourage† misbehaviour. For the entire novel, music is the weapon that the City wields to control its citizens. The seasons and weather are determined by the presence of clarinet players in the street. Music also bears a sadness that can be juxtaposed to Violet’s ribaldry and Joe’s flared passion. Wilds disappearance takes place as her body is replaced with a trace of music and this sound haunts Joe’s memory for the rest of his life. Similarly, the â€Å"blues man† who walks the streets becomes the â€Å"black-and blues man† and finally, the â€Å"black-therefore-I’m-blues man,† providing a critique of racism. The â€Å"blues† songs that the characters evoke are largely the consequence of suffering brought about by America’s racist traditions. Like in Toni Morrison’s Jazz, Richard Wright in his novel, Native Son, had proposed the notion that racial discrimination and oppression was one of the main reasons of committing a crime in the nineteenth century and the earlier half of the twentieth century in the United States of America by individuals coming from the lower strata of the African-American community. Richard Wright’s treatment of his protagonist, Bigger Thomas’ psychological vices provides us with an alternative viewpoint on the oppressive and harsh effect racism had on the people belonging to the African-American community in America in the earlier half of the twentieth century. The disturbances in Bigger’s psychological nature, a twenty year old uneducated African-American who grew up in the southern side of Chicago, are due to the constant racial oppression that he faces since his childhood, due to the racist propaganda in the society at that time. He grew up in a family which lived in overcrowded and unclean conditions, enduring negligence and a socially imposed state of impoverishment and with almost no opportunity for pursuing education. Bigger Thomas’ consequential approach toward whites is an impulsive amalgamation of anger and fear. He does not treat the whites as an individual instead he conceives of them as a strong and hostile force that he has to oppose and overcome in life. To him, the whites are one entity who cannot be trusted at any time. Bigger kills Mary Dalton, the daughter of his employer, and in order to hide his crime, burns her body in the house’s furnace. But his murder of Mary does not incite the feeling of guilt in him, as a matter of fact, he experiences a strange triumph as he feels that he has affirmed his own identity in opposition to the white community that have plotted against them to destroy their society. After Mary’s murder, Bigger feels confident that he can overcome the whites. He plans to send a letter to Mr. Dalton, his employer and Mary’s father, asking for a ransom against the release of his daughter, who still knows that Mary is alive. But the bones of Mary are discovered from the Dalton’s furnace. He then escapes with his girlfriend, Bessie, to an uninhabited building, whom he later raped and then beat with a brick to death. He was finally arrested and put on trial. The ‘whites’ use Bigger’s offence as a ploy to terrify and terrorise the whole South Side of Chicago that was inhabited by the blacks. Jan, Mary’s communist boyfriend, visits Bigger in prison and realises about the fact that they actually frightened Bigger, earlier, by violating the social taboos that were created due to a grave racial discrimination in the United States of America. He appoints his friend Boris A. Max to fight his case in the court of justice. They treat him benevolently, giving him the respect of a human being. Wright has then portrayed that the conception of Bigger, in respect to the whites, changes and he starts seeing them as individuals and not a single entity, as he used to. Max attempts to bail Bigger out of the death penalty, stating that while he is accountable for his offence, it is also essential to understand the fact that he grew up in a social environment which has been oppressed, humiliated, abused and exploited by the white administration and hence a share of the blameworthiness for Bigger’s crimes also fall on the apprehensive, discouraging reality that he has experienced since his birth. Max cautions that if this inequality and racial oppression does not end then this vicious sequence of detestation and retribution will continue without doubt. In spite of Max’s presentation of his ideas, Bigger is not waived off the death sentence. [pic] All through the novel, Richard Wright demonstrates the manner in which the racist whites oppresses and compels the African-American into a cornered and hence a precarious psychological mindset. Blacks are overwhelmed with the adversity of economic oppressions and are enforced to perform mannerly before the whites, their oppressors. Provided with such surroundings, as Max debates, it is almost anticipated that people belonging to the African-American society such as Bigger will respond with aggression and abhorrence. However, Wright highlights the vicious cycle of racism and its effects. Though Bigger’s hostility arises from racial discrimination, it only amplifies the feelings of racism in the American society because it validates the basic fear that the racially prejudiced whites’ experiences about the blacks. In Wright’s depiction, ‘whites’ efficiently change the blacks into negative stereotypes whom they can detest. Richard Wright, through the portrayal of Bigger Thomas’ character in The Native Son has presented the perspective that racism and oppression is one of the basic causes for committing a crime. Finally, to conclude, we can clearly see how the African communities, once transformed into European clones not only fails to cope up with the Europeanised worldview but also faces an ultimate form of misery, melancholy and desolation to keep up with the social changes. Alejo Carpentier’s novel, The Kingdom of This World, project the fascist nature of the Haitian black ruler Henri Christophe, soon after the Haitian independence from French domination; and the miseries of the ‘black’ society in Haiti. Ahmadou Kourouma’s first novel, The Suns of Independence, shows the efforts made by a Dumbuya chief, Fama, to search for his own identity in the midst of a changing world in the post-colonial era in Africa; and his desolation from the real state-of-beings in the society. Toni Morrison’s Jazz and Richard Wright’s Native Son are both projections of the violence, despondence, and the trauma of the African-American community in a racist and oppressive society. Finally, as Gabriel Garcia Marquez, in his noble lecture, puts it in case of the Latin American countries, also does apply to the African communities in the different parts of the world who spend every day in fear, misery, desperation and solitude that â€Å"In spite of this, to oppression, plundering and abandonment, we respond with life. Neither floods nor plagues, famines nor cataclysms, nor even the eternal wars of century upon century, have been able to subdue the persistent advantage of life over death. An advantage that grows and quickens: every year, there are seventy-four million more births than deaths, a sufficient number of new lives to multiply, each year, the population of New York sevenfold. Most of these births occur in the countries of least resources including, of course, those of Latin America. Conversely, the most prosperous countries have succeeded in accumulating powers of destruction such as to annihilate, a hundred times over, not only all the human beings that have existed to this day, but also the totality of all living beings that have ever drawn breath on this planet of misfortune. On a day like today, my master  William Faulkner  said, â€Å"I decline to accept the end of man†. I would fall unworthy of standing in this place that was his, if I were not fully aware that the colossal tragedy he refused to recognize thirty-two years ago is now, for the first time since the beginning of humanity, nothing more than a simple scientific possibility. Faced with this awesome reality that must have seemed a mere utopia through all of human time, we, the inventors of tales, who will believe anything, feel entitled to believe that it is not yet too late to engage in the creation of the opposite utopia. A new and sweeping utopia of life, where no one will be able to decide for others how they die, where love will prove true and happiness be possible, and where the races condemned to one hundred years of solitude will have, at last and forever, a second opportunity on earth. † (Marquez).

The Joys of Motherhood free essay sample

THE CHANGING PARADIGMS OF THE LOVE LAWS The Joys of Motherhood, by Buchi Emecheta, describes the hardships of life in West-Africa from the perspective of Nnu Ego. The novel reveals the byproducts of development and colonialism in West-Africa; byproducts that affect society’s hierarchy of gender and subservience. Through the Englishman’s intervention in West-Africa, the economic well-being of families is greatly restored. However, this supposed positive change also casts many negative circumstances, in which the gender roles of male and female become more fluid. The shifting of gender roles within The Joys of Motherhood is a direct consequence of the colonialism and economic development of West-Africa. This traditional alteration as a direct result of economic enticement affects Arundhati Roy’s, Love Laws, when economics becomes the overriding factor in life itself. The Love Laws are governed by one’s economical standings. If a person brings no financial incentive to the table, then they become less loved. We will write a custom essay sample on The Joys of Motherhood or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Cordelia said, when talking about her husband Ubani, (CH4) â€Å"Men here are too busy being white men’s servants to be men. We women mind the home. Not our husbands. Their manhood has been taken away from them. The shame is that they don’t know it. † When colonialism met traditional twentieth century West-African society, it completely altered the roles of men. Nnu Ego agreed with Cordelia, saying that it felt like she was wedded to a middle-aged woman during the first stage of her second marriage, when Nnu Egos husband Nniafe was working for the Meers. Nnu Ego also has little respect for Nniafe, as she criticizes not only Nniafes conscious subordination by the Meer family, but also the fact that he takes pride in his job. This subservient role men play is not necessarily caused by Colonialism, but rather the capitalist based labor system they imposed upon West-African society. Men are only acting on behalf of the economic incentive working for colonialists gives them. Nniafe and Ubani take no regard towards the dignity and masculinity of their jobs. Since the colonization and development of West-Africa, the paradigm has adopted a new hierarchal prototype based on fiscal power. All other cultural aspects of life also take the second tier. This compromises their role as superiors, as they are now cast on the second tier. It also consumes their once predetermined power and the vivid line between males and females. These sentiments resonate the constant theme in the novel, that Lagos corrupts and permanently alters tradition. This in turn robs one of his individual identity and manhood. However, the Love Laws stay intact. No matter how Cordelia and Nnu Ego react towards their husbands serfdom by the Meers, they are still in full dependence. Societal tradition and culture are rendered obsolete when facing the Love Laws, since the only weighing factor on who should be loved is ones economic well-being. God, when will you create a woman who will be fulfilled in herself, a full human being, not anybody’s appendage? she prayed desperately. † As an Ibo mother, Nnu Ego has the expectation of others to prepare her sons for the future. The ones who bear the brunt are Nnu Ego’s daughters. Women are not expected to live a full life. They are expected to birth children, preferably sons, and rig htfully do their penance to provide their sons with the best future possible. Girls have little worth in the traditional West-African culture. Their only value is the bride price they manage to stamp on their forehead. Women are expected to shadow their husbands’ identity, with no worth to themselves apart from the future generations they breed. However, the quote also brings up Nnu Egos extremely pivotal hypothesis: the idea of foregoing a collective society for a more individualistic and autonomous one. Colonialism delivered a new economic and social order to Lagos, in which the role of both men and women has changed. Has Nnu Ego found an outlet to the suppressed life that women currently live in Lagos? She watches her husband perform the daily chores of a supreme woman, one with divine power over men. Nniafe is laundering clothes for Mrs. Meers, feeling no subservience or regret. Nnu Ego begins to anticipate the changes in the traditional culture, as a direct result from colonial influence. The economic shift, that was brought over by the colonists, had one very impacting side effect: with money, comes independence. She shift in gender roles began to dwell in Nnu Egos mind, as she anticipated a future where women will be of prime importance, rather than simply being used to serve their superiors and collective society at the expense of themselves. By stimulating your own economic well-being, Nnu Ego can lived a self-fulfilled life, one without the influence of men. Nnu Ego is envisioning a world that will allow her to be more loved. If she manages to provide an adequate amount of money for herself and her family, they will love her more. If she can become more individualistic, they will love her more. In this scenario, in which Nnu Ego forecasts a world where individual finances dictate who should be loved, the gender line between male and female roles becomes almost outmoded by economic incentives. However, there is one major factor that is standing in the way of her enlightened future. Ironically, it is also a womens only worth: children. â€Å"Her love and duty for her children were like her chain of slavery. † This quote stands as the antithesis of the books title, and it proves to be true throughout the book. Instead of Nnu Ego and the many other women in the Ibo community living a self-fulfilling life, motherhood casts on them a sense of enslavement. This sense of enslavement is also Nnu Egos sense of identity. Her foremost function is to bear children, seeing that it is the only way of achieving rank and respect in the eyes of society. Nnu Egos struggle between achieving independence and respect is a double-edge sword. When she cannot impregnate herself, she fears she will become a disrespected cast-away of society. However, her lack of reliance gives her a knack for self-sufficiency. On the other hand (or sword), once Nnu Ego is able to produce children, she becomes ill-equipped to provide for them, and loses her freedom of self. The quote shows a very distinct paradox between a womans intent to bear children, and her overall goal for independence. It also shows the changing paradigms of the Love Laws. Ever since colonialism and development of Africa, the economic incentives have rewarded people financially for making certain choices and behaving in a certain way, that is, working for the Englishmen. This is a form of competitive employment and allows for socioeconomic polarization, as the incentively propelled workers are taking more initiative towards performing well, and less towards their social environment. Social constituents may tend to lose the cultural-catalysis in mens inter-personal relations amid their cut-and-dry lifestyle. This, in turn, culturally bounds their sense of responsibility and spirit. These husbands detachment to traditional living causes their wives to see their transformation and emancipation over time. Nnu Ego not only sees the subordination and cultural-loss of her husband, fueled by money, but also the independence that individual ambition gives him. She notices the changing dynamics of the Love Laws, as she starts to become less loved and Nniafe becomes more loved. While Nnu Ego is trying to nurture her children out of poverty, enslaved to her kids, Nniafe is acting on individual initiative. The Love Laws have changed, because whether Nnu Ego likes it or not, she isnt the provider for the family. â€Å"She had been trying to be traditional in a modern urban setting. It was because she wanted to be a woman of Ibuza in a town like Lagos that she lost her child. This time she was going to play according to the new rules. † Nnu Ego cannot hold onto to her traditions when society is becoming culturally-bounded due to economic incentives. You can never step into the same river; for new waters are always flowing on to you. † The fact that economics surpasses all other cultural, social, and traditional incentives represents the changing paradigms in the Love Laws. . In Nnu Egos traditional vision of the family, individual concerns are secondary to the livelihood of the group. Nniafe was acting on individual initiative. What dictates who sh ould be loved is economical. This is a direct consequence of the colonization of West-Africa. The colonialism of West-Africa positively charged the economy and negatively cast the traditional culture on the second-tier. In effect, the line discerning gender roles became more transparent. Adam Smith, father of modern economics, once said â€Å"individual ambition serves the common good†. In the economic sense, this statement is true. It transcends to Nniafe and Nnu Ego, and also their children Adim, Oshia, and Kehinde, who all retaliate against strict hierarchies implicit in the family structure and dethrone the mantle of tradition by having what is most taboo in their culture: individual ambition.